Before I started
spinning, I went on the dancefloor and watched
everyone. They were all smiling and happy. It
was almost like everyone's inner child was coming
out. And I thought 'Wow... this is what I wanna
do. I want to create this.'" Sandra Collins
(Sweater, 1997)
Put simply, Sandra Collins is one of the US's
finest Progressive House and Trance DJs. Dubbed
"The Trance Goddess", Sandra has captured
the imaginations of dance floors around the globe
with her driving beats, hypnotic grooves and mesmerizing
melodies. Her rare ability to combine a powerful
groove for the body and an elevating journey for
the mind continues to win the loyalty of fans
throughout the world and looks set to make her
one of the biggest names in global dance music
today.
Sandra's ability to inspire the crowd stems back
to her early years. Born into a famous Las Vegas
show business family, Sandra is no stranger to
the spotlight. She began DJing in Phoenix in 1989
and demonstrated a rare flair for working the
dance floor. Her talent was soon recognized in
the underground scene and her name became synonymous
with ground breaking parties including the historic
New York "Storm" raves with Frankie
Bones and The Fifth Column with Josh Wink in 1992.
Sandra's relentless passion for dance culture
led her to Los Angeles in 1992. Here, she again
proved herself as one of the originators of the
underground sound with three year residencies
at LA's legendary "King" and "Sketchpad"
afterhours. During this time, Sandra was a regular
guest DJ on Powetools 106FM, as well as helping
to set up the first US office for the German Trance
label Eye Q - Harthouse. From 1995 to 1998, Sandra
also held a three year residency at LA's most
popular weekly "Metropolis" alongside
Doc Martin and former partner in crime Taylor.
It was here that Sandra befriended Sasha and played
alongside greats such as Carl Cox, Chemical Brothers,
Paul van Dyk and Orbital... just to name a few.
Sandra's popularity continued to soar over the
years as she DJed to enthusiastic audiences across
the US and overseas. Whether doing international
tours of Australia, New Zealand and Canada, or
headlining the US Electric Highway Tour with the
Fluke and the Crystal Method, Sandra was more
in demand than ever before. Having DJed in a Coca-Cola
commercial and graced the cover of 'XLR8R' magazine,
she has also been featured in Urb, Option, Jump,
BPM, Sweater, Mixmag, UHF and Fix magazines.
In addition to extensive touring, Sandra found
time to record her first mixed CD "Lost in
Time" on Fragrant Music in 1997. Described
by Option magazine as "A beautiful sensual
journey through the realms of hard house and trance
by one of America's best known DJs", the
CD continues to receive rave reviews throughout
the US and was grounds for her nomination as "Outstanding
Electronica Artist" in California's BAMMIE
Awards and "Best Trance DJ" in the forthcoming
1998 Global DJ Awards. Continuing her growth as
an artist, Sandra has also begun recording her
own tracks. Her spectacular first release, "Ode
to Our" b/w "Red" through Fragrant
sold out in Europe and the US in one day and was
named Trance Release of the Month in XLR8R magazine.
With fervor continuing to grow about Sandra's
scorching sets, she was invited to move to New
York and take up a residency at the prestigious
Twilo in early 1998. It is here, alongside fellow
residents Sasha & Digweed, Paul van Dyk and
Carl Cox that Sandra Collins has firmly entered
the upper echelon of international DJs... where
she is destined to become a key player in the
global dance scene due to her profoundly positive
attitude, driving creative force and monumental
sets. Sandra's popularity continued to soar over
the years as she DJed to enthusiastic audiences
across the US and overseas. Whether doing international
tours of Australia, New Zealand and Canada, or
headlining the US Electric Highway Tour with the
Fluke and the Crystal Method, Sandra was more
in demand than ever before.
Sandra has become an ambassador for American trance,
she landed on the covers and pages of every major
U.S. dance music magazine, as well as in magazines
like Spin, Gear, Urb, Option, Jump, BPM, Sweater,
Mixmag, UHF and Fix
Continuing her growth as an artist, Sandra has
also begun recording her own tracks. Her spectacular
first release, "Ode to Our" b/w "Red"
through Fragrant sold out in Europe and the US
in one day and was named "Trance Release
of the Month" in XLR8R magazine.
Other nominations
"Outstanding Electronica Artist" - BAMMIE
Awards California
"Best Trance DJ" - Global DJ Awards
"Best Female Artist" - URB Magazine
Her ability to be both a crowd-pleaser and connect
emotionally with her audience won her the daunting
opening night slot at Woodstock '99. Spinning
after Moby, she admirably held her own with a
six hour set in front of the 80,000 mostly-neophyte
dance music fans, and by the end of her set had
by all published accounts won them over.
Now with residencies at Chicago's "Crobar"
and Las Vegas "Utopia", Sandra is one
of the progressive dance music's most in-demand
DJs, travelling to raves and clubs across the
country and around the world, from Little Rock
to Lima, Peru and now finally Finland.
Now with Tranceport 3, Sandra marks the first
time an American (and woman) has been behind the
decks for the genre-defining trance series. Following
up the global trance introduction of Paul Oakenfold's
Tranceport 1, and the deep, end-of-the-night vibe
of Dave Ralph's Tranceport 2, Sandra's installment
turns up the emotions and lets the melodies and
beats pulse with a vibrance that's somehow both
introspective and anthemic.
Tranceport 3 is, like her life, a journey to places
both brightly familiar and darkly exciting, mapped
out by progressive underground anthems and new
tracks of her own that point to the future of
trance, in America and the world. The journey,
as always, is as much ours as it is hers. |